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Broadcast Activation ​

Amplify your reach on traditional broadcast TV through impactful ad line items within premium programming. Broadcast Activation is the TVNZ 1, TVNZ 2 and TVNZ Duke buy, and the only campaign type that asks how you want to buy it.

Use it for straight broadcast television — either traded against an audience goal, or placed spot by spot when the schedule position is the point.

At a glance
Trades againstA demographic (Audience Trading) or chosen spots (Spot)
Delivers onTVNZ 1, TVNZ 2 and TVNZ Duke
Buying methodAudience Trading or Spot
GoalTarget TARPs at a CPT on Audience Trading; budget only on Spot
Flight start5 to 90 days ahead once past Draft
Line item flightOne broadcast month each

Choosing a buying method ​

Buying method appears under Campaign type as a pair of cards, defaulting to Audience Trading. On Audience Trading the form carries on into Campaign budget directly beneath, where a Deal is attached and the rate follows from it; a Spot buy has no deal, only the Budget cap.

Buying method cards

MethodWhat it isWhat the line item form becomes
Audience TradingAudience guaranteed — you set the goal and spots are optimised to deliver itThe full linear buy: demographic, channel shares, pacing, schedule, creatives
SpotYou select where your spots are placedA shell campaign: money and a few constraints here, spots set later in TVMap

The choice is not a detail you can revisit freely — the platform refuses a change of buying method (or campaign type) while any line item holds a price override, because the override is a rate in the trading currency you would be leaving.

Booking on Audience Trading ​

1. Campaign level ​

General info — including Notes — then Campaign type = Broadcast Activation with Buying method = Audience Trading, then Objective, then Campaign budget — Deal, Budget cap (gross) and Discount %.

2. Line item info and targeting ​

SectionFields
Line item infoLine item name, Flight date, Blackout periods
Targeting → DemographicsDemographics (defaults to 18+)
Targeting → ChannelsTVNZ 1, TVNZ 2, TVNZ Duke — each Optimized or 0–100% in steps of 5
Targeting → ProgrammeProgramme linear exclusion
Targeting → Programme RatingProgramme rating
TargetingPeak %, Break position, FIB / LIB %, Ad Mirroring

Open Channels and there is one field per channel, each holding a percentage or Optimized.

Channel shares: TVNZ 1, TVNZ 2 and TVNZ Duke

Set Demographics first: the channel shares and the peak levels you are offered both come from the station grid and pricing sheet for that demo. Genre is not offered here — content targeting at that level is a Brand Awareness idea.

The channel shares are the distinctive part. All three default to Optimized, which carries no station-grid loading. Pinning a percentage commits delivery to that channel — and pinning 0% instructs the platform to deliver nothing there, at the grid's discount, which is not the same as leaving the field alone.

Ad Mirroring is offered only here: your spot airs everywhere the channel does, with the mirrored break counting toward delivery.

3. Budget, pacing and schedule ​

SectionFields
BudgetBudget (gross), Target TARPs (Calculated) with its TARPs · CPT / Impacts · CPM switch, CPT (gross) with Rate card / Custom
Budget → Flight pacingEvenly, plus Weekly and Monthly as the flight length allows, and the split table when it is not Evenly
ScheduleWeek start (opens on Sun), Start time, End time

This is the type that trades in rating points. The goal is Target TARPs and the rate is a CPT (gross) — Based on rate card from targeting — or switch to custom — with a switch beside the goal if you would rather work in Impacts · CPM. The rail reports both currencies, as here: TARPs and CPT above the line, the impacts and CPM they come to below it.

The rail on an Audience Trading buy: Target TARPs and CPT

Pace the line item Weekly or Monthly — the options offered follow the flight length — and a split table opens under the buttons, one row per period with its dates, and a Total row that has to reach 100%.

4. Creatives ​

Ad duration and Sensitive content open the section, then Add creatives, where a Creative code — the Landmark House ID — and the Add button build the list. Set the campaign flight dates first.

Booking on Spot ​

A Spot buy is deliberately short. The Budget section carries a banner saying so:

INFO

Create a shell campaign and set spots later via TVMap

The Budget section on a Spot buy

As the picture shows, the banner sits above a single Budget (gross) field with its share of the campaign underneath.

SectionFields
Line item infoLine item name, Flight date, Blackout periods
BudgetBudget (gross)
CreativesSensitive content

That is the whole line item. There is no delivery goal — no Target Impacts and no Target TARPs — so the campaign's goal total has nothing to sum. There is no targeting at all — no demographics, no channel shares, no Peak %, no break position — no pacing split and no schedule: those decisions are made when the spots are placed in TVMap. Creatives shrinks to Sensitive content alone, with no Ad duration and no creative codes, for the same reason.

Creatives on a Spot buy: Sensitive content only

Objectives ​

Objective applies to Audience Trading only, and defaults to Standard.

ObjectiveWhat it does
StandardEven delivery across the flight at the standard rate
Reach VelocityFront-loads delivery to build unique reach fast
Weekend Store VisitWeights delivery to Wednesday–Saturday, for household shoppers planning the weekend shop
Hunger ZoneConcentrates spots in the 4–8pm dinner window
New to MarketBuilt for launches; optimises for maximum unique reach

On a Spot buy the section does not appear — the schedule you build in TVMap is the delivery plan.

Peak and break position ​

Peak % is the minimum share of delivery required in peak time, drawn from the pricing sheet for your demographic — Minimum share delivered in peak time. One of the levels is that demographic's own natural share, labelled in the field as 64% (natural delivery) or similar: it is what peak would take with nothing guaranteed. Choosing above it is a commitment you pay for; choosing below it buys less peak than the demo delivers on its own, at a discount. Either way it is a commercial decision, not a formality. Peak % is offered on Audience Trading only. The size of the loading each level carries is covered on Deals, rates and loadings.

Break position is likewise Audience Trading only: No preference, First in break or Last in break, with FIB / LIB % setting the minimum share in that position once you choose one.

For the full picture of what each buying method offers, see which fields each campaign type shows.

Rules specific to Broadcast Activation ​

  • The campaign flight must start between 5 and 90 days from today once the campaign is past Draft.
  • Each line item flight must fall within a single broadcast month — weeks starting Sunday, the month ending on the Saturday nearest its end. Like Brand Awareness it uses broadcast months rather than calendar months, so a line item can legitimately run past the end of the calendar month.
  • Line item budgets must sum exactly to the campaign Budget cap; a weekly or monthly split must total 100%.
  • On Audience Trading, Budget (gross), Target TARPs and the CPT must agree, give or take rounding — the goal is Calculated, so it moves with them.

Tips ​

  • Decide the buying method before you build line items. It changes most of the line item form, and a price override will block the change later.
  • Leave the channel shares on Optimized unless you have a reason to commit delivery — an unset share prices the same way, and a pinned 0% does not.
  • Watch the broadcast-month boundary; it rarely lines up with the calendar month you had in mind.
  • On a Spot buy, treat the booking as the commercial envelope only — nothing here decides where the spots land.
  • Run the availability check before booking, and adjust if it comes back tight.